一、自由型
I. free form
无规律的、随意的编排构成。有活泼、轻快的感觉。
Irregular and random arrangement. It's lively and light.
二、骨格型
Two. Bone type.
规范的、理性的分割方法。
A standardized and rational segmentation method.
常见的骨格有-竖向通栏、双栏、三栏和四栏等。一般以竖向分栏为多。
The common bones are vertical columns, double columns, three columns, and four hurdles. Generally, there are many vertical columns.
图片和文字的编排上,严格按照骨格比例进行编排配置,给人以严谨、和谐、理性的美。
In the arrangement of pictures and characters, they are arranged strictly according to the proportion of skeletons, giving people the beauty of rigor, harmony and rationality.
骨格经过相互混合后的版式,既理性有条理,又活泼而具有弹性。
The layout of the bones after mixing is rational, lively, and flexible.
三、满版型
Three. Full version.
版面以图像充满整版,主要以图像为诉示,视觉传达直观而强烈。文字配置压置在上下、左右或中部(边部和中心)的图像上。满版型,品牌设计给人大方、舒展的感觉。是商品广告常用的形式。
The layout is full of images, mainly represented by images, and visual communication is intuitive and strong. The text configuration is pressed on the image of the upper, lower, middle or the middle (side and center). Full version, brand design gives people a sense of generosity and stretching. It is a common form of commodity advertisements.
四、中轴型
Four, axis type
将图形作水平方向或垂直方向排列,文字配置在上下或左右。
The graphics are arranged horizontally or vertically, and the characters are arranged at the top or bottom.
水平排列的版面,给人稳定、安静、平和与含蓄之感。
The layout of the horizontal arrangement gives people a sense of stability, tranquil, calm and implicit.
垂直排列的版面,给人强烈的动感。
The layout of the vertical layout gives people a strong sense of movement.
五、曲线型
Five. Curvilinear form
图片和文字,排列成曲线,产生韵律与节奏的感觉。
Pictures and words are arranged in curves to produce rhythm and rhythm.
六、倾斜型
Six. Tilting type
版面主体形象或多幅图像作倾斜编排,造成版面强烈的动感和不稳定因素,引人注目。
The main image of the layout or tilted layout of multiple images, resulting in a strong sense of motion and instability of the layout, eye-catching.
七、对称型
Seven, symmetrical type
对称的版式,给人稳定、理性、理性的感受。
Symmetrical layout gives people a sense of stability, reason and reason.
对称分为-绝对对称和相对对称。一般多采用相对对称品牌设计手法,以避免过于严谨。
Symmetry is divided into absolute symmetry and relative symmetry. In general, relatively symmetrical brand design techniques are adopted to avoid being too strict.
对称一般以左右对称居多。
济南vi设计
Symmetry is usually dominated by symmetry.
八、三角型
Eight, triangle type
在圆形、矩形、三角形等基本图形中,正三角形(金字塔形)具有安全稳定因素。
In the circle, rectangle, triangle and other basic graphics, regular triangle (pyramid) has the most security and stability factors.
九、四角型
Nine and four corner type
版面四角以及连接四角的对角线结构上编排图形。 给人严谨、规范的感觉。
The layout of the four corners of the page and the diagonal structure connecting the four corners are arranged. It gives people a sense of rigor and standardization.
十、曲线型
Ten. Curvilinear form
图片和文字,排列成曲线,产生韵律与节奏的感觉。
Pictures and words are arranged in curves to produce rhythm and rhythm.
十一、倾斜型
Eleven. Tilting type
版面主体形象或多幅图像作倾斜编排,造成版面强烈的动感和不稳定因素,引人注目。
The main image of the layout or tilted layout of multiple images, resulting in a strong sense of motion and instability of the layout, eye-catching.
十二、对称型
Twelve, symmetrical type
对称的版式,给人稳定、理性、理性的感受。
Symmetrical layout gives people a sense of stability, reason and reason.
对称分为-绝对对称和相对对称。一般多采用相对对称手法,以避免过于严谨。
Symmetry is divided into absolute symmetry and relative symmetry. In general, relative symmetry is adopted to avoid being too strict.
对称一般以左右对称居多。
Symmetry is usually dominated by symmetry.
十三、重心型
Thirteen. Gravity center
重心型版式产生视觉焦点,使其更加突出。
The center of gravity format creates visual focus to make it more prominent.
有3种类型:
There are 3 types:
1.直接以独立而轮廓分明的形象占据版面中心;
1. directly occupy the center of the layout with an independent and well-defined image.
2.向心:视觉元素向版面中心聚拢的运动;
2. centripetal: the movement of visual elements to the center of the layout.
3.离心:犹如石子投入水中,产生一圈一圈向外扩散的弧线的运动。
3. centrifuge: like a stone in water, it produces a circle of circular outward movement.
十四、并置型
Fourteen, juxtaposition type
将相同或不同的图片作大小相同而位置不同的重复排列。
Repeat the same or different pictures in the same size and position.
并置构成的版面有比较、解说的意味,给予原本复杂喧闹的版面以秩序 、安静、调和与节奏感。
The juxtaposed layout is comparative and explanatory, giving a sense of order, quietness, harmony and rhythm to the original complex and noisy layout.
十五、上下分割型
Fifteen, up and down segmentation
整个版面分成上下两部分,在上半部或下半部配置图片(可以是单幅或多幅),另一部分则配置文字。图片部分感性而有活力,而文字则理性而静止。
The entire layout is divided into two parts, the upper half or the lower half of the configuration picture (can be single or multiple), the other part of the configuration text. The picture is emotional and vibrant while the text is rational and static.
十六、左右分割型
Sixteen, left and right segmentation
整个版面分割为左右两部分,分别配置 文字和图片。
The entire page is divided into two parts, each with text and pictures.
左右两部分形成强弱对比时,造成视觉心理的不平衡。这仅是视觉习惯(左右对称)上的问题,不如上下分割型的视觉流程自然。
When the two parts form strong or weak contrast, they cause visual imbalance. This is only a matter of visual habits (left and right symmetry), rather than the natural process of visual segmentation.
如果将分割线虚化处理,或用文字左右重复穿插,左右图与文会变得自然和谐。
If the splitting line is dashed, or the text is repeatedly interpolated left and right, the left and right graphs and text will become naturally harmonious.
有了济南vi设计上面的小总结,希望对广大客户有所帮助,如果有什么不理解的或者寻求帮助的请点击我们的官方网站:http://www.facons.cn或者来电咨询,我们会尽全力为您解决!
With Jinan VI design above a small summary, I hope to help the majority of customers, if there is any incomprehension or seek help, please click our official website: http://www.facons.cn or call to consult, we will do our best to solve for you!

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