点是造型的基础之一,是造型小的单位。空间中出现了一点就能吸引眼球,再出现一点,这个焦点的注意力就均分了,如果这些点大小不一,则首先吸引焦点的是较大的那个点,再接着是较小的点,这样就形成了视觉的节奏。首先,你必须要简化日常所见的点,任何一个能引发视觉紧张,产生视觉张力的图形都有被称为“点”的可能,并不是小小圆圆才叫点。
Point is one of the basis of modeling, is the smallest unit of modeling. A little space can appear to attract attention, one more point, the focus of attention is equally, if these points are not the same size, first attracted focus is the point of, then is smaller, so that the formation of visual rhythm. First of all, you have to simplify what you see in your daily life. Any graphic that can cause visual tension and visual tension has the potential to be called "point", not a small circle.
在造型的世界中,点是具有形象的,也是有大小的,并且点的大小是有限度的。超越限度就会失去点的性质而成为“面”。因此,点是根据周围环境而确定的,点与其所在空间的面积应该是一种从属关系,它本身具有一种细小单位的性质。
In the world of shapes, dots are images and sizes, and the size of the dots is limited. Beyond the limit, it will lose its nature and become "face"". Therefore, the point is determined according to the surrounding environment, the point and the area of its space should be a subordinate relationship, it itself has a small unit nature.
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点具有张力的作用,它具有一定的紧张性。点在版面中的位置不同、数量不同、大小不同,给人的张力感受也不同。
The point has the function of tension, and it has certain tension. Points in the layout of the different locations, the number of different, different sizes, people feel different tension.
理论上,在不考虑其他视觉元素的作用下,一个点处于中间位置的时候,是非常稳定的,但略显得呆板。因此可以把点的位置往左上或右上移动,这样就形成一种上升的力量,带来了动感。
Theoretically, without considering other visual elements, when a point is in the middle position, it is very stable, but it seems stiff. So you can move the point to the upper left or the upper right, so that an upward force is created and the motion is moved.
例如此处的图形安排,如果放于中间,看上去会特别稳定,当然也会比较无聊。
For example, the graphics here, if placed in the middle, will look particularly stable, of course, will be boring.
点与点之间,会形成一种视觉牵引,你的大脑会自动脑补出两点间的连线。以此类推,如果更多的点不仅形成了线,还连成了片,所以,用点这个单位就能创作更多的线和面。这时,点的装饰作用减弱了。
Between point and point, a visual pull is formed, and your brain automatically makes up the connection between two points. And so on, if more dots not only form a line, but also into a piece, so with the point of this unit, you can create more lines and faces. At this point, the decorative effect of the point weakened.
在运用点作为主角构图的案例中,常见的就是利用点的集合关系进行构图,日本草间弥生的作品是具有代表性的。圆点本身的造型柔美、可爱,利用大大小小的圆点安排空间深度的关系,有机组合就能形成有趣的图案。
In the case of composition as the protagonist, the most common is the use of the set of points of the composition, the Japanese Kusama's works is the most representative. The dots are beautiful and lovely. They can arrange the relationship of space depth with dots. The organic combination can form interesting patterns.
在运用点作为主角构图的案例中,常见的就是利用点的集合关系进行构图,日本草间弥生的作品是具有代表性的。圆点本身的造型柔美、可爱,利用大大小小的圆点安排空间深度的关系,有机组合就能形成有趣的图案。
In the case of composition as the protagonist, the most common is the use of the set of points of the composition, the Japanese Kusama's works is the most representative. The dots are beautiful and lovely. They can arrange the relationship of space depth with dots. The organic combination can form interesting patterns.
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